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Celine's comeback to Las Vegas - March 2011Possible Dates on Page 72
#1141
Posted 28 April 2009 - 10:08 AM
#1142
Posted 28 April 2009 - 11:11 AM
Gonzalillo, on Apr 28 2009, 03:56 AM, said:
MartinMunich, on Apr 27 2009, 12:03 PM, said:
Maybe I am not in the right place anymore because this forum is where fans should meet and share their enthusiasm about Celine - however, since this last tour I don´t belong to that group of people anymore. But I used too, and maybe she will win me over again on day, so.. why not
I think going back to Vegas is only logical - considering what she did for the past ten years.
Her tour was a huge dissapointment - lip synching is not allowed. Never ever. Maybe for Britney - not for "the voice" Celine.
This cheap karaoke-Vegas-on-the-road sucked big time imo.
Look at old Tina Turner - she is belting out the hits live night after night in a massive show...live, every single note. This why people go to live concerts.
Celine is shooting herself out of the first league big time - doing Vegas was probably a smart move financially - and I am sure it will be a smart one the second time again. Artistically - if it can get any lower anyways - she is once again taking a step further down.
I would take that into this sense: what do you prefer, having the chance to see Céline in concert in your city/country, or not seeing her at all anywhere?? (my case)
You had Céline in Germany, not only once, but for 2 or 3 concerts at least. I've had her 0 times, not only not during this world tour, but NEVER in Céline's whole career. She never came to Spain in concert. So please, you should value more the time she has spent in your country. Don't focus that much on the lipsynch thing!
well - but you do know that you have to pay for a concert, don´t you? it´s not that she is coming to a country for charity reasons - she is charging the hell a lot for a ticket. so no need to be thankfull in any way - i just want to see a good show for my money, not this fake jukebox wannabe concert.
serioulsy, i don´t want to be too bitchy and piss you guys off, I used to love her so very much, i just think she is not making the right moves lately.
you´ll hardly find anybody who cherishes an over-the-top-full-on-vocals-diva more than me - but it is not allowed - never ever - to deliver (i know you can´t hear it anymore) such a cheap outdoor show and to start and end a concert with a playback number - two of the most emotional moments in a show. how in the world can she do this? i still don´t get it - maybe you do - i don´t. that´s cheap.
#1143
Posted 28 April 2009 - 12:25 PM
MartinMunich, on Apr 28 2009, 07:11 PM, said:
Wow
Quote
you´ll hardly find anybody who cherishes an over-the-top-full-on-vocals-diva more than me - but it is not allowed - never ever - to deliver (i know you can´t hear it anymore) such a cheap outdoor show and to start and end a concert with a playback number - two of the most emotional moments in a show. how in the world can she do this? i still don´t get it - maybe you do - i don´t. that´s cheap.
Of course there are many thins in her career that can be done much better, and lypsynching isn't nice, of course. But from that point to say "I'd better prefer Céline not to come to my country to sing lypsynched", there's a miles way to that
#1144
Posted 28 April 2009 - 01:08 PM
MartinMunich, on Apr 28 2009, 07:11 PM, said:
serioulsy, i don´t want to be too bitchy and piss you guys off, I used to love her so very much, i just think she is not making the right moves lately.
you´ll hardly find anybody who cherishes an over-the-top-full-on-vocals-diva more than me - but it is not allowed - never ever - to deliver (i know you can´t hear it anymore) such a cheap outdoor show and to start and end a concert with a playback number - two of the most emotional moments in a show. how in the world can she do this? i still don´t get it - maybe you do - i don´t. that´s cheap.
Céline does not come up with the ticket prices. I think they were too high in many places, also in Paris! but you should blame the ticket companies and rené for the high price
but in all I agree with Gonzalillo... no one made you go to those concerts... many people would have loved to go in your place! and if you really were that 'non educated' about the lipsyncing... it was discussed to death so many times already, so if you didn't know then, you musn't have cared so if you haven't cared then, then why care now?
Rick, ik hou van jou voor altijd!
A New Day... has come 28/29 April & 2/3 May 07
Antwerpen 13 et 14 mai,
Paris 24 et 25 mai, Amsterdam 2 juinet Arras 7 juillet Chances Taken!!!How Do You Keep The Music Playing? - Celine Opening Night March 15th, March 16th
#1145
Posted 28 April 2009 - 01:15 PM
#1146
Posted 28 April 2009 - 01:19 PM
Rick, ik hou van jou voor altijd!
A New Day... has come 28/29 April & 2/3 May 07
Antwerpen 13 et 14 mai,
Paris 24 et 25 mai, Amsterdam 2 juinet Arras 7 juillet Chances Taken!!!How Do You Keep The Music Playing? - Celine Opening Night March 15th, March 16th
#1147
Posted 28 April 2009 - 03:15 PM
And I agree with some of the posts here. Just be grateful that Celine came to your country...

#1148
Posted 28 April 2009 - 06:29 PM
MartinMunich, on Apr 28 2009, 09:11 AM, said:
Gonzalillo, on Apr 28 2009, 03:56 AM, said:
MartinMunich, on Apr 27 2009, 12:03 PM, said:
Maybe I am not in the right place anymore because this forum is where fans should meet and share their enthusiasm about Celine - however, since this last tour I don´t belong to that group of people anymore. But I used too, and maybe she will win me over again on day, so.. why not
I think going back to Vegas is only logical - considering what she did for the past ten years.
Her tour was a huge dissapointment - lip synching is not allowed. Never ever. Maybe for Britney - not for "the voice" Celine.
This cheap karaoke-Vegas-on-the-road sucked big time imo.
Look at old Tina Turner - she is belting out the hits live night after night in a massive show...live, every single note. This why people go to live concerts.
Celine is shooting herself out of the first league big time - doing Vegas was probably a smart move financially - and I am sure it will be a smart one the second time again. Artistically - if it can get any lower anyways - she is once again taking a step further down.
I would take that into this sense: what do you prefer, having the chance to see Céline in concert in your city/country, or not seeing her at all anywhere?? (my case)
You had Céline in Germany, not only once, but for 2 or 3 concerts at least. I've had her 0 times, not only not during this world tour, but NEVER in Céline's whole career. She never came to Spain in concert. So please, you should value more the time she has spent in your country. Don't focus that much on the lipsynch thing!
well - but you do know that you have to pay for a concert, don´t you? it´s not that she is coming to a country for charity reasons - she is charging the hell a lot for a ticket. so no need to be thankfull in any way - i just want to see a good show for my money, not this fake jukebox wannabe concert.
serioulsy, i don´t want to be too bitchy and piss you guys off, I used to love her so very much, i just think she is not making the right moves lately.
you´ll hardly find anybody who cherishes an over-the-top-full-on-vocals-diva more than me - but it is not allowed - never ever - to deliver (i know you can´t hear it anymore) such a cheap outdoor show and to start and end a concert with a playback number - two of the most emotional moments in a show. how in the world can she do this? i still don´t get it - maybe you do - i don´t. that´s cheap.
#1149
Posted 29 April 2009 - 10:37 PM
And yeah, lip singing sucks. But for more then 95% of the people there (probably more)....they have no idea and think it's live. At least she does live pre-recordings unlike Britney.
I didn't think it was a disappointment, the tour that is. Yeah, there a bit of lipping. Sure the token songs that are always featured were there. But they HAVE to be because that's what 95% of the people attending want to see. The biggest hits that made her career. How many people would want to listen to 12 new songs they have never heard of? And there were ALOT of new songs. 7 songs from the album, and considering that's about how many I thought were worthy of being live, that's a decent number. The album was the most represented album throughout the show. In addition, it was cool to hear some other songs such as Man's World, Got the music in me, Queen Medley and others.
#1150
Posted 29 April 2009 - 11:04 PM
I don't mind the lipping so much, I think in this day and age it's just something we need to get used to as productions become bigger and other bits and pieces are going on during the songs and so much more seems to be expected from each artist, more shows, more songs etc.
One thing i don't really agree with is when she does a television performance where it is only one song and that is lipped. I think a bit more effort could be made there.
Now getting back to Vegas I expect the usual songs will be in the set as anyone who isn't the hugest Celine fan would want to hear the songs they know not unreleased album songs so expect the lipped performances to be back hopefully with an updated sound or something different.
Edited by xxmatthewxx, 29 April 2009 - 11:05 PM.
#1151
Posted 30 April 2009 - 01:43 AM
Quote
Big-name performers, once a goldmine, are losing their luster -- and ticket sales

By Phil Gallo
"Goodbye Yellow Brick Road" could be a theme for the Las Vegas strip for years to come, although Elton John will no longer be singing it.
What was seen as a path paved in gold -- the pop star with decades of hits performing 50-plus shows per year -- is starting to crap out at the casinos.
Downscaling in ticket prices, expectations and the number of shows booked is emerging as a new model for 2009.
Elton packed up his red piano and bolted last week after delivering 241 performances over the course of five years at the Coliseum inside Caesars Palace, grossing more than $125 million and filling the hall to better than 95 percent capacity each night he headlined.
His total was dwarfed only by Celine Dion, the woman who made Vegas believe in the pop star residency concept. Dion, consistently among the top five concert attractions during her four years and eight months at the Colosseum, grossed $400 million in ticket sales from 717 concerts, according to Billboard Boxscore.
The economic downturn, not to mention the lack of acts with staying power of Cher or Bette Midler, who now hold down the fort at the Colosseum, indicate a limited future for the residency concept when it comes to concerts.
Other new hurdles include a dwindling audience and a lack of cash in their pockets. But the downturn is noteworthy: During a four-day run at the end of March, Midler played to just 78 percent capacity, selling fewer than 15,000 seats.
Vegas has a significant question on the table: How much do the economics need to be revamped to make the residency model work?
When Dion called it quits -- she promptly went on an international tour and grossed more than $90 million -- AEG executives were looking to keep the Colosseum going with residencies and use the renovated Joint at the Hard Rock for one-nighters.
That plan has changed at the Hard Rock, with Carlos Santana coming on board to play 36 shows per year this year and next. It will be the first test of a rock ‘n' roll residency in Las Vegas. Age-wise, the demographic is the same as those acts that have played the Colosseum, but the Santana booking is based on an act that is music-driven rather than theatrically driven.
Santana's first run of 12 shows starts May 27 and runs through June 14. After a tour of Europe, he returns for another eight in Las Vegas between Aug. 26 and Sept. 6. Tickets went on sale April 1 for the 2,900-seat venue, and as of Friday none of the shows had sold out.
"We're hoping the first and second run create buzz and by the third run we're doing well," said Kevin Chisholm, who has handled various management responsibilities for Santana over the last 20 years.
Santana, who tours off and on between March and September annually, would ordinarily perform at a venue four or five times larger than the Joint, as would any of the performers who play the Colosseum.
Santana's office received AEG's offer in October as the recession was clearly having an impact on both Las Vegas and the number of concert tickets sold in general.
Due to the comparatively small size of the Joint and the ability to keep prices in line with other Vegas shows, Santana's management felt there was minimal risk in the deal.
And Santana was not the sort of name one would would hear referenced when the residency concept was broached by managers or booking agents: Rod Stewart, Phil Collins and Diana Ross, certainly, with a pipe dream of Michael Jackson and Britney Spears.
That's where the new economics of Las Vegas come in. Promoter AEG, the world’s second largest concert promoter and the one booking all shows at the Joint and the Colosseum, is looking at a significantly lower scale with any shows at the Hard Rock.
The orchestra of about 1,000 seats are scaled in price at $299 and $151 with $225 VIP seats at tables on the sides. The first balcony is priced at $125 with the back balcony at $85. A $75 ticket puts a patron in a side balcony on the third level. Suites and VIP tables account for several hundred other tickets.
Besides the fans who adore Santana's classics, the Hard Rock is banking on high-rollers joining the party as well: Seats at boxes and tables are being offered for $800 and $1,000 on Ticketmaster's main website.
It's likely that sell-outs for Santana will gross around $350,000; Cher and Midler sell-outs, in a venue with about 1,200 more seats, were pulling in nearly double that amount when they started last year.
But even they won't do that level of business anymore. Prices for Cher and Midler tickets have been cut by 9 percent across the board. For Midler's 60 shows between May 27 and Nov. 15, a new bottom rung of $45.45 has been added and upgrade programs -- pay $95 for a $140 seat, for example -- were instituted for locals and users of Travelzoo.com. At year’s end, that could have a dramatic effect on the total gross.
Up the street at the Las Vegas Hilton the opposite is true. Barry Manilow, who had the highest average ticket price ($154) of any performer in the U.S. a couple of years ago, has increased ticket prices since he started in February 2005. When he opened, the best seats in the house were $145; those tickets now go for $247 and $192.
While price-cutting has become increasingly common in the concert business, it has not occurred often in Vegas. One manager interviewed for this story said a year ago it was still a city to get top dollar, but booking agents are now finding it requires negotiating.
“No city in America has been harder hit than Las Vegas in the last six months,” the manager said, in terms of concert promoters exercising caution.
AEG and their hotel partners have responded by making their offerings more attractive. Anyone who wants to see Santana west of the Mississippi River in North America over the next 19 months has to travel to Vegas.
It is highly likely that AEG decided on that proviso after seeing the effect John's touring potentially had on sales of his “Red Piano” shows.
In early February, he did 10 of his Vegas shows, selling 95 percent of the tickets. Two years earlier in February, he had a run of 12 shows that all sold out.
The difference -- and it could just as well owe to the economic downturn -- was that this year John was performing with Billy Joel in key Western markets such as Southern California and Phoenix a month later. While on paper the difference between 95 percent capacity and sold out seems minimal, the “Red Piano” promoter has no chance to see any profit until at least 85 percent of the tickets are sold; that final 5 percent is a significant chunk of the profit center for the casino and the promoter.
The further out from the visit, Vegas experts agree, the more likely visitors are to book tickets at shows and restaurants. But if the visitors don’t support the high-end shows, the prediction John made in jest onstage during his final “Red Piano” show just might come true:
“Who are you going to get to fill in our shoes now? You've got Bette Midler, you've got Cher. It's gonna be the Village People next.”
Quote
A look at some of the marque names -- past and present -- who broke the bank

CELINE DION (Closed)
Show: A New Day
Venue: The Colosseum at Caesars Palace
Contract length: March '03 to December '07
She banked: Over $100 million for more than 700 shows

ELTON JOHN (Closed)
Show: The Red Piano
Venue: The Colosseum at Caesars Palace
Contract length: February '04 to April '09
He banked: $96 million for 241 shows

BARRY MANILOW
Show: Manilow: Music and Passion; Manilow: The Hits
Venue: Las Vegas Hilton
Contract length: February '05 to Present
He banked: $60 million for 120 shows; $60 million for another 200 shows

BETTE MIDLER
Show: Bette Midler: The Showgirl Must Go On
Venue: The Colosseum at Caesars Palace
Contract length: February '08 to April '10
She banked: $120 million for 200 shows

CHER
Show: Cher at Ceasears Palace
Venue: The Colosseum at Caesars Palace
Contract length: May '08 to December '10
She banked: $60 million for 200 shows
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#1152
Posted 30 April 2009 - 02:36 AM

#1153
Posted 30 April 2009 - 03:13 AM
I live in France, and I know that a lot of people here think that Celine has become superficial and cares only about money, money, money, because of vegas. I'm sure Celine lost a lot of her popularity since 2003, and coming back to Vegas in 2010 would be for sure the end of her worldwide career!
But if it can help her to have a stable life with her family, what can we say?
#1154
Posted 30 April 2009 - 03:18 AM
popstar60, on Apr 30 2009, 11:13 AM, said:
I live in France, and I know that a lot of people here think that Celine has become superficial and cares only about money, money, money, because of vegas. I'm sure Celine lost a lot of her popularity since 2003, and coming back to Vegas in 2010 would be for sure the end of her worldwide career!
But if it can help her to have a stable life with her family, what can we say?
Amen to that
Sadly, Vegas stopped the promotion of every album Céline released since 2002, that's the whole truth
#1155
Posted 30 April 2009 - 04:01 AM
Gonzalillo, on Apr 30 2009, 11:18 AM, said:
Have you ever considered that they (Sony) didn't want to do more promo for those albums??
If Sony was hell bent on promoting at least one of these albums even more, they would have postponed the release or make her do even more promo. All the albums she released between 2003-2007 (with the exception of TC) were minor ones and thus needed to have a big budget.
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#1156
Posted 30 April 2009 - 04:45 AM
CSCfan, on Apr 30 2009, 12:01 PM, said:
Gonzalillo, on Apr 30 2009, 11:18 AM, said:
Have you ever considered that they (Sony) didn't want to do more promo for those albums??
If Sony was hell bent on promoting at least one of these albums even more, they would have postponed the release or make her do even more promo. All the albums she released between 2003-2007 (with the exception of TC) were minor ones and thus needed to have a big budget.
Of course, so that's why I can't understand why René/Céline don't care about the poor promo that Sony has done for her since 2003. Every album flopped at the second single and they stopped the promo without any other effort. That don't require Céline to do crazy promotion on every country of this planet, but a little more consideration of her recording company towards her work, something that she hadn't had for the past 7 years
#1157
Posted 30 April 2009 - 04:52 AM
By the way, does that numbers mean that the other performers' shows cost more than Celine's shows?
Edited by Claudette, 30 April 2009 - 04:55 AM.

#1158
Posted 30 April 2009 - 05:16 AM
Gonzalillo, on Apr 30 2009, 11:18 AM, said:
popstar60, on Apr 30 2009, 11:13 AM, said:
I live in France, and I know that a lot of people here think that Celine has become superficial and cares only about money, money, money, because of vegas. I'm sure Celine lost a lot of her popularity since 2003, and coming back to Vegas in 2010 would be for sure the end of her worldwide career!
But if it can help her to have a stable life with her family, what can we say?
Amen to that
Sadly, Vegas stopped the promotion of every album Céline released since 2002, that's the whole truth
+ 1!
#1159
Posted 30 April 2009 - 05:23 AM
She definitely earned more than 300M.
#1160
Posted 30 April 2009 - 05:44 AM
Claudette, on Apr 30 2009, 01:52 PM, said:
By the way, does that numbers mean that the other performers' shows cost more than Celine's shows?
#1161
Posted 30 April 2009 - 06:10 AM
Snowhite, on Apr 30 2009, 01:44 PM, said:
Claudette, on Apr 30 2009, 01:52 PM, said:
By the way, does that numbers mean that the other performers' shows cost more than Celine's shows?
I don't mind talking about it... but I don't want to talk about it in every topic...

#1162
Posted 30 April 2009 - 06:48 AM
#1163
Posted 30 April 2009 - 07:04 AM
#1164
Posted 30 April 2009 - 09:12 AM
#1165
Posted 30 April 2009 - 09:32 AM
#1166
Posted 30 April 2009 - 09:44 AM
celinesafan, on Apr 30 2009, 05:32 PM, said:
I just wanted to write the same thing but you beat me to it. I agree! Celine sounds so much better today than she sounded 10-20 years ago... I'm pretty sure she is still able to sing her songs of 20 years ago just as good... ABM sounded pretty awesome during the tour. Even RDMH sounded better than it sounded years ago.

#1167
Posted 30 April 2009 - 10:18 AM
Claudette, on Apr 28 2009, 10:15 PM, said:
I know this question will annoy people, but I just want to check something:
I know that in English shows Celine lips IDAN, TPOL, IACBTMN, TLYM, EOM & MHWGO, but when you say 2-3 songs in French shows do you you just mean IDAN, EOM and MHWGO? I didn't think she lipped any French songs...
Thanks
#1168
Posted 30 April 2009 - 02:55 PM
#1169
Posted 30 April 2009 - 03:04 PM
cuz i never got to see her during a new day
but i think she will definetly be in the ceasers palace colluseum
she probably will have a show similar to a new day but less extravagant yet some how she will always make it the best show
Attached Files
#1170
Posted 30 April 2009 - 03:26 PM
ShuttleDiscovery, on Apr 30 2009, 06:18 PM, said:
Claudette, on Apr 28 2009, 10:15 PM, said:
I know this question will annoy people, but I just want to check something:
I know that in English shows Celine lips IDAN, TPOL, IACBTMN, TLYM, EOM & MHWGO, but when you say 2-3 songs in French shows do you you just mean IDAN, EOM and MHWGO? I didn't think she lipped any French songs...
Thanks
I meant IDAN, TPOL and MHWGO. I'm not sure about EOM... But I guess then technically it was 5,5 in the English shows and 3,5 in the French shows... I was also not sure if she sang EOM and the TPOL in all the French shows, so I was just trying to get some kind of average... She didn't lip any French songs... And if I remember correctly she didn't sing IACBTM and TLYM in the French shows.

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