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Celine's old french albums from the eighties


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Posted
They will, I'm pretty sure, but not in less than a decade...

Tournée Européenne in Paris (December 1, 2013)

Céline Dion Live 2016 in Antwerp (June 20, 2016)

Céline Dion Live 2017 in Birmingham (July 27, 2017)

Céline Dion à Paris (September 12, 2026)

Posted

Maybe it's a question of rights for the songs. I don't understand how it works. Someone who understands it could explain. I don't know what happened to her ex labels Saisons and TBS which released her '80 albums. Still Sony released some of those songs as a part of "On ne change pas" in 2005.

 

I don't think its a problem of rights, because Sony already released a compilation of these songs in 1997 in Germany, "Les Premieres Années", and in France also a 2CD set with the same title, under "Versailles" a branch of Sony Music France for old releases.

 

Maybe a separate release of each album wouldn't be profitable, but they could have released all the albums together in a boxset or something :hmm:

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"Hush, now... I see a light in the sky"

  • 1 month later...
Posted

I somehow missed this topic from a while ago --

 

I've been thinking a lot about Celine's French career. And how it's really the basis of her entire success. Particularly her work with Eddy Marnay. David Foster gets a lot of credit for building Celine's career. And I actually get annoyed by the "tent" story -- how David discovered this little French girl in a tent. But, really, Celine Dion was already a huge star in French speaking areas. And doesn't that credit go to Eddy (and Rene)? I think it's incredibly special that Celine named one of her sons after Eddy. Does anyone have more information on their relationship and the songs he created with her?

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Posted

And I actually get annoyed by the "tent" story -- how David discovered this little French girl in a tent.

Really? Ridiculous! I've never heard it before. David helped Celine for her career in English but she already had one in French (thanks to Rene and Eddy, of course).

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16 YEARS A FORUM MEMBER
Posted

Really? Ridiculous! I've never heard it before. David helped Celine for her career in English but she already had one in French (thanks to Rene and Eddy, of course).

 

He really did first meet her when she was singing in a tent -- Celine herself says this, introducing him when she sings BYLM at the David Foster & Friends show. The story is in "My Story, My Dream": David had seen a video of her singing, and wanted to work with her, but wanted to see her sing live first. She says in the book:

 

But as luck would have it, at the time David was passing through Quebec, the only performing I was doing was a show for a group of vacationers, under a tent at Saint-Agathe in the Laurentides. Rene tried really hard to make him put off his put off his trip. "In two weeks, Celine will be performing at the most important theater in Montreal," he said. "Under ideal conditions." David decided not to put off the trip. He came to the show . . .It was a really hot day. And it was pouring. The air inside the tent was humid, suffocating. The sound was horrible. At times the rain hammered so loudly on the roof that it was almost impossible to hear the music.

 

Nonetheless, David was of course beyond impressed by Celine, and the rest is history :)

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  • 3 weeks later...
Posted

I was looking on the inside cover of one of my old, revised in 2002 Celine album's, called The French Love Album. Inside it said that Celine's album sales had been studied by statisticians who said that someone somewhere around the glode buys a Celine album every 1.2 seconds. The time it takes to blink an eye.

 

I don't know if anyone has noticed that before, but i just found that very intersting. Our Celine is like a global disease. LOL. :laugh: The best disease you can have of course! ;)

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Posted
Shame on me, but I have never listened to "En Concert". And I have it on LP, but I've never opened it and I don't have a turntable. Will have to look for it on another configuration.
Posted

En concert really is a sign of the times, but I love it. I wish it included the other songs she performed that evening. The medleys were superb on the album and her covering "Carmen" is nothing short of magical.

 

They really do seem to forget that her humble beginnings weren't with Sony and that she was a huge success in Francophone canada and had a few hit singles in France before Unison changed her life.

 

I'll always adore her music from this period. They, to me, are timeless and my favorite.

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"People pay 20-25 dollars to see you."

- Céline Dion, 1990

Posted
Thank you for your comment, makes me anxious to hear it then. And I agree, her music from that time has such a mystical aura. I will look for it tonight!
Posted
I think you can download it on the multimedia section here.

"People pay 20-25 dollars to see you."

- Céline Dion, 1990

Posted

. Does anyone have more information on their relationship and the songs he created with her?

 

On several TV special back when they aired, Eddy would appear and say what he thought of Celine and she would say that he would write songs that were exactly what they were feeling. They would talk to each other and he could take what she said and make such wonderful songs about what she was going through in her life. She also said he was like a father figure to her. It's sad, none of this stuff is out there for people to read in English because it's only been played for french speaking listeners but there has been a lot said in her career about him. But...as of late we hear little about him. There was a tribute back in the early 2000s and before that it was the medley on "Au cœur du Stade."

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"People pay 20-25 dollars to see you."

- Céline Dion, 1990

Posted

I think you can download it on the multimedia section here.

 

Thank you, Alex. :hug:

 

Actually, someone amazing sent me a PM with a download link, so I'm getting it now. :heart: I'll review it later, hehe.

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Posted

On several TV special back when they aired, Eddy would appear and say what he thought of Celine and she would say that he would write songs that were exactly what they were feeling. They would talk to each other and he could take what she said and make such wonderful songs about what she was going through in her life. She also said he was like a father figure to her. It's sad, none of this stuff is out there for people to read in English because it's only been played for french speaking listeners but there has been a lot said in her career about him. But...as of late we hear little about him. There was a tribute back in the early 2000s and before that it was the medley on "Au c½ur du Stade."

 

I couldn't agree more with you, Alex. And I would add that Céline is still in debt with Eddy Marnay. She hasn't paid him tribute the way he deserved, and I can't understand why. How come she finds time to be "paying tribute" in her shows to people she hasn't even met like Stevie Wonder, Billy Joel (even newcomers like Adele!), and she doesn't find the time to honour the man who wrote her no less than 5 albums and help her build her early career??? I find it disgusting. That man wrote real songs who would pale in shame many of the english material she has received lately.

 

The Simplement Marnay show in 2003 was nice, but we don't even have a video footage of it, nor an audio quality recording to enjoy. She should have done something else...

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"Hush, now... I see a light in the sky"

Posted
weirdly i was listening to all these things recently and especially her earlier stuff - i go through massive phases of listening to les premiers annees on my ipod - i appreciate these songs weirdly much much more now than i did when i was 16/17, still listening to them but thinking that they sounded so dated. But a lot of them are so haunting. I completely forgot about the medley she did on Au Coeur du stade and it came on the other day, 'd'amour ou d'amite' and i was like - this is suuuuch a good version! love how its so stripped down and the long note at the end - its hair raising - she should re-record them for this century...i think they could sound fantastic. Although she probably already should have done that as by now clearly they will sound nasal and horrendous. Which reminds me - i dared to listen to 'a new day' after au couer du stade and 'At last' came on and i remembered why i swore id NEVER listen to it again - omg its soooooo bad sooooo soooo bad - so bad that if i was an alien coming down to earth now and celine dion was represented with that cd i would burn it haha. "and then the SPEEEEWWW WAS CAAAAASHT" UUUUghhhh sooooo awful.
  • Like 1
Posted

I couldn't agree more with you, Alex. And I would add that Céline is still in debt with Eddy Marnay. She hasn't paid him tribute the way he deserved, and I can't understand why. How come she finds time to be "paying tribute" in her shows to people she hasn't even met like Stevie Wonder, Billy Joel (even newcomers like Adele!), and she doesn't find the time to honour the man who wrote her no less than 5 albums and help her build her early career??? I find it disgusting. That man wrote real songs who would pale in shame many of the english material she has received lately.

 

The Simplement Marnay show in 2003 was nice, but we don't even have a video footage of it, nor an audio quality recording to enjoy. She should have done something else...

 

She named her child after him . .I think that's a MUCH bigger tribute than singing one of his songs. Eddy was a father figure to both her and Rene, and they both always speak of him in glowing terms. Even on the Katie Couric show -- someone who went to the taping mentioned that in the part that they (unfortunately) cut, they asked Celine, "If you could have dinner with any 3 people, dead or alive, who would it be?" -- and she said her father, her niece Karine -- and Eddy.

 

The songs Eddy wrote for her were wonderful, perfect for her at that stage of life, and she's always given him a lot of credit -- but they were songs for a teenager. I think it would be bizarre if they were a primary part of her repertoire at age 45.

  • Like 3
Posted
I disagree. Many songs can still be sung as a 45-year old woman. Maybe not "D'amour ou d’amitié" or "Mon ami m'a quittée" , but songs like "Tu es la", "Toi sur la montagne", "Dis-moi si je t'aime" can still be performed.

"People pay 20-25 dollars to see you."

- Céline Dion, 1990

Posted

I disagree. Many songs can still be sung as a 45-year old woman. Maybe not "D'amour ou d’amitié" or "Mon ami m'a quittée" , but songs like "Tu es la", "Toi sur la montagne", "Dis-moi si je t'aime" can still be performed.

 

I guess I see what you mean (and I'd love to hear her sing them) -- I'm just saying I understand why she doesn't want to focus on the songs she recorded 25-30 years ago - she's in a different place in her life now. I think she can (and does) pay tribute to Eddy the person and all he has done for her without having to sing his songs at this point in her life.

Posted
seriously i hope they will release all these 80s album in cd format... maybe like a boxset or something that would be nice!
  • Like 1

Courage don't you dare fail me now!

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Posted

 

 

She named her child after him . .I think that's a MUCH bigger tribute than singing one of his songs. Eddy was a father figure to both her and Rene, and they both always speak of him in glowing terms. Even on the Katie Couric show -- someone who went to the taping mentioned that in the part that they (unfortunately) cut, they asked Celine, "If you could have dinner with any 3 people, dead or alive, who would it be?" -- and she said her father, her niece Karine -- and Eddy.

 

The songs Eddy wrote for her were wonderful, perfect for her at that stage of life, and she's always given him a lot of credit -- but they were songs for a teenager. I think it would be bizarre if they were a primary part of her repertoire at age 45.

 

That has nothing to do to take a moment in a concert and present a medley with the songs that made her famour in her early years in Canada and France. Something like the medley of Au Coeur Du Stade.

 

And not all of them are for a teenager. She could still sing today C'est Pour Vivre, Avec Toi and C'est Pour Toi and give chills to the audience :)

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"Hush, now... I see a light in the sky"

Posted
I just listened to the "En Concert" album and I have to say that it's superb. Her voice is so timeless. I sometimes don't understand when people call her songs dated, as I don't find anything dated with her new material, neither her old one. It transports me back in time, but I feel as she were singing these songs today, and here's when I have to comment about her singing those songs today. Even if she were 90 and sang them, the timelessness, emotion and what the songs evoke would be as magical as they were when she sang them for the first time. I don't see a problem in that.
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Posted
ok so i just had to put it on and now Mon reve de bloody toujours is on - my first favourite old french song!
  • Like 1
Posted

That has nothing to do to take a moment in a concert and present a medley with the songs that made her famour in her early years in Canada and France. Something like the medley of Au Coeur Du Stade.

 

And not all of them are for a teenager. She could still sing today C'est Pour Vivre, Avec Toi and C'est Pour Toi and give chills to the audience :)

 

I guess what I mean is -- I think you pay tribute to a *person,* not their songs -- and Celine very much does this with Eddy in many ways, most notably naming her son after him. But she sings songs that touch her or are meaningful or work for a particular show or a particular stage of life, regardless of who wrote them. I don't think she's paying tribute to Billy Joel by singing Lullabye -- I think that's a song that resonates with right now, and that works for this show she's doing right now, so she includes it.

 

Celine always says that she sings songs that she *feels* -- that touch her or move her, regardless of whether they're covers or written for her or anything. I think it's very rare for her sing song as a tribute to a writer or artist, except in special instances like the Whitney Houston special.

Posted

Mon reve da toujours, C'est pour toi, En amour, Un amour pour moi, Ce n'etait qu'un reve, L'amour viendra, Seul on ouiseu blanc, Melanie, D'amour ou d'amitie....

Many great and good songs.

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Posted
My favorite of her old French songs is "Je Ne Veux Pas". It has this mysterious vibe to it, and makes me wanna dance!
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Posted
My fave is OTUM
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Posted (edited)

:wub: Thanks for sharing! That looks beautiful. Its a new 2disc cd

Out in June

 

But....

 

 

Exactly the same track list as we have come to expect from all those 2 CD compilations, (e.g. The Collection 82-88, Solid Gold, The Best Of The Early Years, The French Collection etc etc etc....)

 

Still I do really like the artwork and look of this one. But really? Did we need yet another re-release of this same CD. My hopes have been dashed too fast. Still Im gonna keep an eye out for it in the stores.

Edited by J-Man
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Posted
ughh do NOT like that photo haha she looks like shes gonna kill someone. and yes luis je neux veux pas is one of my faves if not THE...in fact i had the extended version blasting out on the ipod dock in the hotel i was in yesterday whilst ironing hahaha i was like 'this is brilliant'
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Posted
Have we ever seen that photo shoot before!? I love it!!!

"People pay 20-25 dollars to see you."

- Céline Dion, 1990

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