1176 replies to this topic

[powerofamor17]

DionFanAlways, on 25 May 2016 - 12:05 PM, said:

Is the year you state on your profile, '97,  the year you became a fan? Either that or you're younger then my son.

Lol, no I'm 19. And I had no reason to @ you on your negativity. If you had an issue with what you were saying, or if you felt like saying so would result in a response from me, why say it?

Either you love to be petty or you crave my attention.

Edited by powerofamor17, 25 May 2016 - 03:23 PM.

[DionFanAlways]

powerofamor17, on 25 May 2016 - 03:22 PM, said:

Lol, no I'm 19. And I had no reason to @ you on your negativity. If you had an issue with what you were saying, or if you felt like saying so would result in a response from me, why say it?

Either you love to be petty or you crave my attention.

How did u guess? I crave your attention.

[Ronny83]

TM Studios has issued its latest “A” HitDisc to radio professionals, shining the spotlight on singles from artists like Gwen Stefani, Dagny, SYMON, Celine Dion, Elton John, First Rush, Gyptian, YG and Migos.

“Each week, TM Studios programmers, working directly with the record labels and utilizing MediaBase research, select the new releases most likely to be added by programmers,” says TM Studios of its compilation. The “A” disc features songs targeted at adult contemporary, hot adult contemporary, pop, rhythmic, and/or urban radio.

This week’s disc includes First Rush’s “Politician,” Elton John’s “A Good Heart,” Katrina Woolverton’s “Better Now,” Celine Dion’s “The Show Must Go On (featuring Lindsey Stirling),” Gwen Stefani’s “Misery,” SYMON’s “Say,” Dagny’s “Backbeat,” the Diztortion Remix of Gyptian’s “All On Me (featuring Lady Leshurr),” a clean remix of Young Greatness’ “Moolah (featuring Lil Wayne and Yo Gotti),” A$AP Mob’s “Yamborghini High (featuring Juicy J),” YG’s “Why You Always Hatin’ (featuring Drake),” M-City Jr’s “Addicted To My Ex,” Migos’ “Say Sum,” and Wale’s “My PYT.”

Many of the aforementioned songs will also appear on the weekly “Prime Cuts” Hit Disc, which features the top new releases from all major formats.

http://headlineplane...sc-compilation/

[powerofamor17]

DionFanAlways, on 25 May 2016 - 04:23 PM, said:

How did u guess? I crave your attention.

Bye

[joaofilho]

The Show Must Go On on youtube walking for 1 million views in a few days, I'm surprised not think it was up as much in a few days.

[Moleque20]

Well the song is (unfortunately) almost forgotten. And it can be reflected in the iTunes trends. Only in France and Canada it has a quiet good impact.

[mirage]

If it's not possible to release the BBMA video, then release her a video from her own show.

We all know they record everything so they easily release a video from it.

Is there also a complete video (intro/song/speech) available for download here on the forum? Her last tv performances were available for download... waiting for her best performance ever now :-)

Edited by mirage, 26 May 2016 - 02:24 AM.

[max24]

Today is also the last charting day for "The Show Must Go On." All the digital singles and streams from today will count for the charts we get next week. Let's bring her to 1 million streams on Youtube, she's now at 890,000.

The Show Must Go On
iTunes:
#1 Mauritius
#2 Saudi Arabia
#5 Papua New Guinea
#9 Jordan
#25 Canada
#26 Oman
#37 France
#38 Lebanon
#40 South Africa
#43 United Arab Emirates
#54 Brazil
#55 Switzerland
#66 Portugal
#79 Belgium
#99 India
#134 Bermuda
#145 Bulgaria
#163 Sweden
#178 Denmark
#184 Thailand
#186 Barbados

Edited by max24, 26 May 2016 - 11:21 AM.

[LukeD]

This single release is so over, completely overshadowed by Encore Un Soir and rightfully so.

[max24]

Finally, The Show Must Go On, over 900,000 streams, waiting for 1 million
Two hours left to buy/stream the song in Europe, and the charting week will be over.

[smw]

Her team obviously doesn't want to push The Show Must Go On. It's clear they just wanted that to be a little treat for us fans.

They're focusing on the new French single, which is fantastic, but it'd be really nice for her team to capitalize on the English speaking world's new interest in Celine again as a result of the Billboard performance.

I kind of wish these songs were spaced out a bit more. We're getting SO much at once.

However, I do hope Aldo decides to put the Billboard performance up on Vevo. It should already be there! More people need to see it and there are so many who want to re-watch it over and over again. That performance and her speech are so special.

Edited by smw, 26 May 2016 - 02:42 PM.

[max24]

In Europe we have now Friday. Will “The Show Must Go On” enter the charts in Europe? Maybe Top 40 in France?
Canada still has few hours of Thursday left, they can still buy/stream the song. However, in Canada streaming is important, so I don’t know if the single has a chance to debut on the Canadian Hot 100.

Situation now:
YouTube streams 908,362


iTunes
#2 Mauritius
#2 Saudi Arabia
#6 Papua New Guinea
#9 Jordan
#27 Canada
#28 Oman
#39 South Africa
#40 Lebanon
#44 France
#46 United Arab Emirates
#51 Brazil
#66 Switzerland
#78 Belgium
#95 Portugal
#128 Sweden
#133 Denmark
#133 India
#141 Israel
#144 Bermuda
#150 Bulgaria
#193 Thailand
#197 Barbados

Edited by max24, 26 May 2016 - 04:06 PM.

[nuts2you]

how is this doing in the states,

[mike_z]

It's officially #23 on the Singles' chart in France.

AWESOME!!!!

TSMGO charted higher than "Loved me back to life" and same position as "A new day has come"!  

[yellowrose14]

I'm glad anytime Celine releases something new, but I really want some new original English songs!   ( I also wish she would sing some songs live that she doesn't like "I Want You to Need Me").   However,  I think my opinion is colored by the fact that this isn't one of my favorite songs by Queen either.

[Critiaslux]

France really likes her
Queen of French chart
I mean, the BBMA have only been shown on a music channel. Amazing that the song charts so high!

[Peppercorn1991]

Wow this did much better than expected!!

Kev x

[celinesounds]

LukeD, on 26 May 2016 - 11:31 AM, said:

This single release is so over, completely overshadowed by Encore Un Soir and rightfully so.

Thank God

[LukeD]

celinesounds, on 27 May 2016 - 01:56 PM, said:

Thank God

If God existed this recording would never have happened.

[lllBeautifulll]

I listen TSMGO twice, that's it. Doesn't like this version at all. But listen EUS on repeat.

[CelinesDIVO5]

It's grown on me, actually. Far from being my favorite recording, but there's something about it that catches me.

[Cuquito]

I really like it!

[Brandon]

Not many European countries, more  Arabic  countries. I'm  surprised.

[max24]

Over 1 million streams for The Show Must Go On

1,021,419 now


The Show Must Go On

iTunes at the moment:

#6 Armenia
#10 Lebanon
#15 Jordan
#18 Papua New Guinea
#18 Saudi Arabia
#56 Mauritius
#67 Canada
#89 South Africa
#104 Brazil
#109 France
#113 Oman
#124 Israel
#133 Portugal
#159 Switzerland
#196 Belgium

Edited by max24, 28 May 2016 - 01:57 AM.

[celinesounds]

LukeD, on 27 May 2016 - 02:04 PM, said:

If God existed this recording would never have happened.

that was not God, it was her team

[Xpresso]

When Céline finally gets great reviews for one of her songs in the US, we end up getting: 1) a studio version that's nowhere near as good as the live version; 2) the single doesn't get sent to radios: 3) the amazing live performance doesn't get released on her Vevo account!!!
What's wrong with this picture? Aldo and Sony are afraid of success in the US or what?  

[powerofamor17]

Xpresso, on 28 May 2016 - 08:33 AM, said:

When Céline finally gets great reviews for one of her songs in the US, we end up getting: 1) a studio version that's nowhere near as good as the live version; 2) the single doesn't get sent to radios: 3) the amazing live performance doesn't get released on her Vevo account!!!
What's wrong with this picture? Aldo and Sony are afraid of success in the US or what?  

I think so. Maybe it was just promotion for the BBMA performance. I see it just as a "Where does Celine stand in the single charts" experiment...

To gauge what they need to do for her legit English promotion. Hence the subpar production, the random release, no promotion, no performance release, no backing, no radio deals etc.. With these circumstances, I think TSMGO did a damn good job for a music veteran with no buzz.

The song did fairly well for what it was given, which wasn't much and it's a cover.

I think it was just to confirm that she's solidified to have and gain moderate success from just her "name" alone.

Edited by powerofamor17, 28 May 2016 - 09:35 AM.

[Peppercorn1991]

powerofamor17, on 28 May 2016 - 09:34 AM, said:

I think so. Maybe it was just promotion for the BBMA performance. I see it just as a "Where does Celine stand in the single charts" experiment...

To gauge what they need to do for her legit English promotion. Hence the subpar production, the random release, no promotion, no performance release, no backing, no radio deals etc.. With these circumstances, I think TSMGO did a damn good job for a music veteran with no buzz.

The song did fairly well for what it was given, which wasn't much and it's a cover.

I think it was just to confirm that she's solidified to have and gain moderate success from just her "name" alone.

Interesting view...

Kev x

[ewh12]

Xpresso, on 28 May 2016 - 08:33 AM, said:

When Céline finally gets great reviews for one of her songs in the US, we end up getting: 1) a studio version that's nowhere near as good as the live version; 2) the single doesn't get sent to radios: 3) the amazing live performance doesn't get released on her Vevo account!!!
What's wrong with this picture? Aldo and Sony are afraid of success in the US or what?  

Feeling Productions doesn't own that live performance, Dick Clark Productions does. So even if they do release it, they still have to negotiate since it doesn't belong to them.

As for the single, It's a pure marketing experiment. I also think it was an experiement by her marketing team to see if releasing singles sans album can work for her, and they did. They didn't invest much as this was definately an experiment, but when she is ready to record English songs, rest assured, I think the staggered single releases with increased promo before the album actually gets released will be in the future

Also, if you look at the history of the last album release, I think they tried to do something similar by promoting different songs on the album on different talkshows, to highlight the diversity of the album, with LMBTL the centre of the campaign. the thing they failed to do that is needed now is to release the single early before the promotion. in this highly fragmented and on-demand marketplace, the single needs to be available before the promo starts, and it needs to get promoted and released months in advance of a new album in order for it to cause any traction.

[ewh12]

I forgot to add, By having Lindsay Stirling on the release, they are guaging how viable she can be through the "viral" realm. This is along with the release of a IG Twitter and other social media accounts are preparing her for her first WW social media release of her next album.