Anyway, I just finished reading his book, Ma place au soleil.
What a story, what a life! Seriously, having read this, I'm so very glad Celine hired him.
Clearly a supremely creative guy. A hippie. An innovator. A risk taker, both in art and in life. He's the one who walked 90km on his stilts as a publicity stunt to raise funding for the first Cirque shows (though it wasn't called that yet). He hired Franco Dragone and many of he other creative geniuses that made Cirque such a phenomenon. And he himself was the creative brains behind some of the best things to come out of Cirque.
Aldo makes a few appearances in the book (he was the first to revamp a Cirque show into the arena format), as do a few others from the Celine universe.
Lots of good anecdotes - especially his early life and creative work - and worth a read.
I suppose the tragic death of his son a few months ago must have thrown him off the rails. But I hope his collaboration with Celine is actually active in practice, not just on paper, and that we do see something come to fruition, whether it be in the form of a revamped Vegas show, or something else.
Here's a great radio interview with him: http://ici.radio-can...8-novembre-2016
And an old one in English: http://www.ocregiste...lles-ste-croix/
I do hope his collaboration with Celine is actually active in practice, not just on paper.I do hope his collaboration with Celine is actually active in practice, not just on paper.



He spends part of the year living in a small village in Mexico, where he started a circus school for local kids (so this is for the Spanish speakers) -
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